Q:
Sayfu, in order to achieve long distancse in your cast...how far should your backcast go? Obviously the more line you have out the easier it is to ruin the cast. I assume you would concentrate more on tight loops and high line speed combine with shooting in order to get 80+ feet?
Question by bigfoot1. Uploaded on August 16, 2010
Answers (12)
The biggest hindrance to distance casting is a poor backcast.
The only reason you make a backcast is to put line in a good position so that when you start forward you immediately load the rod. You don't have to move the rod a distance pulling slack out of the line. Picking 45ft-50ft of line up with a 9ft rod and sending it back high, and rolling out with a fairly tight loop is not that difficult if you work at it...but out of sight, and we try to achieve distance with a big open loop that opens up heading down towards the ground. The rod gets pulled back to far, and the power ends up at the end of the stroke throwing the line over and down because that is the direction the tip moved on. You have to start with a very low rod tip strip in the slack, and lift the line up and back always moving the rod up the plane angle, never tipping over at the back of the cast. LIFT, power with the wrist, as the rod is moving up and back, and drift a slight distance to the stop moving up the ladder. This drifting prevents the wrist from tipping over, and assists in the timing of when to start the forward cast. Move, STOP, and then having to wait for the line to straighten out causes the tipping over, and makes timing very difficult. You can also learn to shoot line into your backcast..I do a little of it, but the LIfT, Power, and let line slip, and then the drift to a stop can add line into the backcast. You don't have to lift straight up and back, it could be 3/4, or almost side arm...as long as you are going UP the ladder to the stop. I'm mostly 3/4 if I have a choice. And a clean line makes a very big difference. And rods with a small tiptop guide, and the first two guides(feeder guides) small?...very difficult to shoot line through a rod like that.
YEAH, I have notice the small guides on my SAGE Z-axis. Supposedly I read somewhere that the small eye design was suppose to increase the shootability of the line? Go figure.
No, it does not. Manufacturers may believe that 5wt rods are not supposed to be used to shoot much line. That isn't true in some situations for sure, but smaller guides are used mainly for better cosmetic purposes...they look better manufacturers feel, and sell better. When I got into distance casting I contacted a number of the experts getting their opinions. One of those that I contacted was George Cook, Sage Rep. located in Wa. St. The first thing George told me about a rod I was testing was to "bump up" in size several guides, especially the first two and the tiptop.
bigfoot1 ~
Reread Sayfu's post. There are several very important stages to the efficiency of fly line in the distance cast. That's right. Break the cast down into stages, think about each stage and put them all together. Especially "the drift" stage. His word is Gospel.
Here's another rod building discrepancy in the engineering concepts of the mass produced fly rod. Used to be, you could find the first three guides from the cork were of the complete ring & bracket style, or stripping guides.
St. Croix takes the drag coeficient out of some of their rods by offering the first 2 guides to be just that...stripping guides. Check out the business end as well and you will find larger diameter snake guides as well as an over-sized tip top on several of their higher end rod series. They know the importance of applying the physics of line speed LEAVING THE REEL as well as line speed LEAVING THE ROD.
Because a guy can never have too many rods, I shop new products every Convention Season in January. Just to see where rod building is going.
When you know what you want and are pretty damn handy with tools, build your own rod from a blank. To date, there are seven (7) rod blank suppliers in Washington State alone.
This way, you engineer the rod you want, be it distance or presentation.
Could it be we have another budding Lee Wulf...
Thanks guys! I will keep practicing and observing. Sorry about all the questions, but I live in an area where fly fishing is not too popular. And experts like yourself are invaluable to me.
I fish for panfish and bass at a local lake and when people see me fly fishing
1. They ask me "Is their trout in here?" 2. They think I am from another planet!
Fly casting...Here is another perspective to flycasting. Most of us look at it as a unique exercise unlike anything else. That is why I attempted to make it relate to using a bat, and the similarities. It is very much like a THROW. If you think of the throws that baseball players make a second baseman fielding a ball near first base, makes a shorter stroke throw to first, and a 3rd baseman fielding a ball deep in the hole gets his arm back, and makes a longer stroke throw to first, as does an outfielder making a throw. If you take your arm back as if making a long throw, it is very much like where the wrist should be on a longer cast. Distance casting has been described as a throw. And that is a big reason why tailing loops happen.... a caster trying to make to long of throw with too much line out using a short stroke. The length of drift lengthens the stroke for the necessary length of cast. A short cast needs very little drift, and little wrist power, and no need to over power tipping the rod tip over, and down, thus the need for Deeter's rubber band practice devise.
Well put! It is hard to describe what I am doing right and wrong without someone their critiquing my cast. However, since I am working on more distance in my cast, I think my problems lie in the false casting.
1. I know I am false casting too much but I am trying to get a feel for loading the rod and keeping timing with more line out.
2. I notice that when I look back at my back cast, sometimes it is doing funny things... like a tailing loop (I assume I am traveling up on the backcast creating that) or maybe the loop created in the back cast goes out of plane (I probably am not bring the fly rod back in plane or my wrist is getting out of plane which shows up on the last part of my back cast.
3. I know that handling too much line in the air can make your cast fall apart. I think once I find the magic distance of false casting and working on line speed and tight loops I think I will be in better shape.
Sayfu, if you are still their, when distance casters bring the backcast back and then sorta drift upward and back and then they go forward how do they keep the 180 degree plane? When I try this my loops do not tighten up. Hope that makes sense.
I would just guess that the travelling up is not the problem causing the tailing loop. It is not starting out low enough with a straight enough line to start...when the rod moves several inches the end of the line should move, thus you are using the entire stroke to cast the line. 2nd, you probably are pulling the line too far before forming the loop...pull, wrist power(without stopping the arm moving) forming the loop, and then moving to a stop...NOT PUUUUUUUUUUUULL, and then the power stop, which opens up the loop, and sends the line DOWN rather than up the angle on the plane you chose to cast on... / , or ----(if I could angle those dashes up slightly) are both up the ladder planes. The visual image is where the end of the line is on the water. The first steep angle is the plane when the end of the line isn't that far from you, and you want to cast short. The 2nd is when the line is farther out, and the angle becomes narrower, and up and back on that narrow plane. But both casts have to be made going up, and ending up, not up, and then down off the end of the ladder. And you are right, it is very difficult to evaluate when you can't watch the caster..Many times though the big loop is caused by the newbee not moving all the parts...the forearm, the upper arm and the shoulder moving the rod tip up and back... they are too restrictive, and stop the arm, and just roll the wrist. You couldn't get the ball from third to first doing that, and you can't make a good cast doing that either. I describe that as throwing like a girl, which in today's world is not very politically correct.
would casting tighter loops and keeping a straight line path be more effective (easier) casting on water (water hauling/tension) rather than in your yard? Seems to me if you start out with zero slack in your line it kinda stay that way through the cast.
Also, How long did it take you to learn to cast well? I have come along ways in just the last year and half but I know I have a long way to go (especially learning on my own)
Casting on the water is easier because of the adhesion of the line to the water helps you load the rod, but with a length of line you get plenty of bend in the rod. When you begin with the plane angle, the lift off the water, and soon after snap the wrist (I hate to say that word SNAP) because it seems like such an aggressive move when it need not be) as soon as the wrist accelerates the loop is formed, and the fly is on its way in a tight loop, and you can do nothing about where the end of the line is travelling. It will be tight unless you stop the arm, and arc the wrist over creating a big, open loop. with the fly, and the end of the line on its way you only have to keep moving the arm to a stop on the same angle you chose to start on. Then you keep a tight relationship between the distance the fly is travelling on, and the rest of the line. There is no visible separate moves to any of the stroke..move to the stop with the loop formed with the wrist, and the continues movement to the stop. When you see it as a professional baseball player throwing a fastball 95 mph, or a golfer hitting a 6 iron 210 yds. it appears effortless, because all the parts are moving fluidly in unison. If they do on the cast?....you will not hear a sound, or very little sound,..if you hear the WHOOOOOOOOOSH!!. You are firing it mostly with the wrist, and not in unison with the rest of your arm.
The fun part is the learning never ends hopefully. I am now just learning the spey casting concept, and then also applying it to my one handed rods. The knowledge and skill of creating a loop of line behind the rod a distance with the fly on the water(the anchor) out in front of me creates a very efficient, and effective roll cast loading the rod much better than the one handed rod concept of bringing the line back even with rod when making a roll cast. I am like a kid with a new toy watching that line roll out there. How long to cast decently? I had a job where casting good gave me more credibility because I got into flyfishing schools. That was the early on motivation. Not only casting good, but being able to understand the mechanics, and being able to describe them was all part of it. And I've changed that description over time. Early on, and for many years, I was very frustrated with the description many used, and still do use, of "moving to a power stop without using the wrist until the end of the stroke. Very difficult to prevent the big open loop, and line, and fly being sent to the ground using that description.
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The biggest hindrance to distance casting is a poor backcast.
The only reason you make a backcast is to put line in a good position so that when you start forward you immediately load the rod. You don't have to move the rod a distance pulling slack out of the line. Picking 45ft-50ft of line up with a 9ft rod and sending it back high, and rolling out with a fairly tight loop is not that difficult if you work at it...but out of sight, and we try to achieve distance with a big open loop that opens up heading down towards the ground. The rod gets pulled back to far, and the power ends up at the end of the stroke throwing the line over and down because that is the direction the tip moved on. You have to start with a very low rod tip strip in the slack, and lift the line up and back always moving the rod up the plane angle, never tipping over at the back of the cast. LIFT, power with the wrist, as the rod is moving up and back, and drift a slight distance to the stop moving up the ladder. This drifting prevents the wrist from tipping over, and assists in the timing of when to start the forward cast. Move, STOP, and then having to wait for the line to straighten out causes the tipping over, and makes timing very difficult. You can also learn to shoot line into your backcast..I do a little of it, but the LIfT, Power, and let line slip, and then the drift to a stop can add line into the backcast. You don't have to lift straight up and back, it could be 3/4, or almost side arm...as long as you are going UP the ladder to the stop. I'm mostly 3/4 if I have a choice. And a clean line makes a very big difference. And rods with a small tiptop guide, and the first two guides(feeder guides) small?...very difficult to shoot line through a rod like that.
YEAH, I have notice the small guides on my SAGE Z-axis. Supposedly I read somewhere that the small eye design was suppose to increase the shootability of the line? Go figure.
No, it does not. Manufacturers may believe that 5wt rods are not supposed to be used to shoot much line. That isn't true in some situations for sure, but smaller guides are used mainly for better cosmetic purposes...they look better manufacturers feel, and sell better. When I got into distance casting I contacted a number of the experts getting their opinions. One of those that I contacted was George Cook, Sage Rep. located in Wa. St. The first thing George told me about a rod I was testing was to "bump up" in size several guides, especially the first two and the tiptop.
bigfoot1 ~
Reread Sayfu's post. There are several very important stages to the efficiency of fly line in the distance cast. That's right. Break the cast down into stages, think about each stage and put them all together. Especially "the drift" stage. His word is Gospel.
Here's another rod building discrepancy in the engineering concepts of the mass produced fly rod. Used to be, you could find the first three guides from the cork were of the complete ring & bracket style, or stripping guides.
St. Croix takes the drag coeficient out of some of their rods by offering the first 2 guides to be just that...stripping guides. Check out the business end as well and you will find larger diameter snake guides as well as an over-sized tip top on several of their higher end rod series. They know the importance of applying the physics of line speed LEAVING THE REEL as well as line speed LEAVING THE ROD.
Because a guy can never have too many rods, I shop new products every Convention Season in January. Just to see where rod building is going.
When you know what you want and are pretty damn handy with tools, build your own rod from a blank. To date, there are seven (7) rod blank suppliers in Washington State alone.
This way, you engineer the rod you want, be it distance or presentation.
Could it be we have another budding Lee Wulf...
Thanks guys! I will keep practicing and observing. Sorry about all the questions, but I live in an area where fly fishing is not too popular. And experts like yourself are invaluable to me.
I fish for panfish and bass at a local lake and when people see me fly fishing
1. They ask me "Is their trout in here?" 2. They think I am from another planet!
Fly casting...Here is another perspective to flycasting. Most of us look at it as a unique exercise unlike anything else. That is why I attempted to make it relate to using a bat, and the similarities. It is very much like a THROW. If you think of the throws that baseball players make a second baseman fielding a ball near first base, makes a shorter stroke throw to first, and a 3rd baseman fielding a ball deep in the hole gets his arm back, and makes a longer stroke throw to first, as does an outfielder making a throw. If you take your arm back as if making a long throw, it is very much like where the wrist should be on a longer cast. Distance casting has been described as a throw. And that is a big reason why tailing loops happen.... a caster trying to make to long of throw with too much line out using a short stroke. The length of drift lengthens the stroke for the necessary length of cast. A short cast needs very little drift, and little wrist power, and no need to over power tipping the rod tip over, and down, thus the need for Deeter's rubber band practice devise.
Well put! It is hard to describe what I am doing right and wrong without someone their critiquing my cast. However, since I am working on more distance in my cast, I think my problems lie in the false casting.
1. I know I am false casting too much but I am trying to get a feel for loading the rod and keeping timing with more line out.
2. I notice that when I look back at my back cast, sometimes it is doing funny things... like a tailing loop (I assume I am traveling up on the backcast creating that) or maybe the loop created in the back cast goes out of plane (I probably am not bring the fly rod back in plane or my wrist is getting out of plane which shows up on the last part of my back cast.
3. I know that handling too much line in the air can make your cast fall apart. I think once I find the magic distance of false casting and working on line speed and tight loops I think I will be in better shape.
Sayfu, if you are still their, when distance casters bring the backcast back and then sorta drift upward and back and then they go forward how do they keep the 180 degree plane? When I try this my loops do not tighten up. Hope that makes sense.
I would just guess that the travelling up is not the problem causing the tailing loop. It is not starting out low enough with a straight enough line to start...when the rod moves several inches the end of the line should move, thus you are using the entire stroke to cast the line. 2nd, you probably are pulling the line too far before forming the loop...pull, wrist power(without stopping the arm moving) forming the loop, and then moving to a stop...NOT PUUUUUUUUUUUULL, and then the power stop, which opens up the loop, and sends the line DOWN rather than up the angle on the plane you chose to cast on... / , or ----(if I could angle those dashes up slightly) are both up the ladder planes. The visual image is where the end of the line is on the water. The first steep angle is the plane when the end of the line isn't that far from you, and you want to cast short. The 2nd is when the line is farther out, and the angle becomes narrower, and up and back on that narrow plane. But both casts have to be made going up, and ending up, not up, and then down off the end of the ladder. And you are right, it is very difficult to evaluate when you can't watch the caster..Many times though the big loop is caused by the newbee not moving all the parts...the forearm, the upper arm and the shoulder moving the rod tip up and back... they are too restrictive, and stop the arm, and just roll the wrist. You couldn't get the ball from third to first doing that, and you can't make a good cast doing that either. I describe that as throwing like a girl, which in today's world is not very politically correct.
would casting tighter loops and keeping a straight line path be more effective (easier) casting on water (water hauling/tension) rather than in your yard? Seems to me if you start out with zero slack in your line it kinda stay that way through the cast.
Also, How long did it take you to learn to cast well? I have come along ways in just the last year and half but I know I have a long way to go (especially learning on my own)
Casting on the water is easier because of the adhesion of the line to the water helps you load the rod, but with a length of line you get plenty of bend in the rod. When you begin with the plane angle, the lift off the water, and soon after snap the wrist (I hate to say that word SNAP) because it seems like such an aggressive move when it need not be) as soon as the wrist accelerates the loop is formed, and the fly is on its way in a tight loop, and you can do nothing about where the end of the line is travelling. It will be tight unless you stop the arm, and arc the wrist over creating a big, open loop. with the fly, and the end of the line on its way you only have to keep moving the arm to a stop on the same angle you chose to start on. Then you keep a tight relationship between the distance the fly is travelling on, and the rest of the line. There is no visible separate moves to any of the stroke..move to the stop with the loop formed with the wrist, and the continues movement to the stop. When you see it as a professional baseball player throwing a fastball 95 mph, or a golfer hitting a 6 iron 210 yds. it appears effortless, because all the parts are moving fluidly in unison. If they do on the cast?....you will not hear a sound, or very little sound,..if you hear the WHOOOOOOOOOSH!!. You are firing it mostly with the wrist, and not in unison with the rest of your arm.
The fun part is the learning never ends hopefully. I am now just learning the spey casting concept, and then also applying it to my one handed rods. The knowledge and skill of creating a loop of line behind the rod a distance with the fly on the water(the anchor) out in front of me creates a very efficient, and effective roll cast loading the rod much better than the one handed rod concept of bringing the line back even with rod when making a roll cast. I am like a kid with a new toy watching that line roll out there. How long to cast decently? I had a job where casting good gave me more credibility because I got into flyfishing schools. That was the early on motivation. Not only casting good, but being able to understand the mechanics, and being able to describe them was all part of it. And I've changed that description over time. Early on, and for many years, I was very frustrated with the description many used, and still do use, of "moving to a power stop without using the wrist until the end of the stroke. Very difficult to prevent the big open loop, and line, and fly being sent to the ground using that description.
Post an Answer