Please Sign In

Please enter a valid username and password
  • Log in with Facebook
» Not a member? Take a moment to register
» Forgot Username or Password

Why Register?
Signing up could earn you gear (click here to learn how)! It also keeps offensive content off our site.

Recent Comments

Categories

Recent Posts

Archives

Syndicate

Google Reader or Homepage
Add to My Yahoo!
Add to My AOL

The Gun Nuts
in your Inbox

Enter your email address to get our new post everyday.

  • March 30, 2012

    Indian Grandmother Oldest Competitive Shooting Champion at 78

    By Phil Bourjaily

    The story of Chandro Tomar, India’s oldest competitive shooting champion, came to my attention thanks to Chad Love, and it’s a great story that gets better the more I find out about it. At 78, Tomar has been winning air rifle and pistol competitions in India for a decade after accompanying her daughter to the local outdoor shooting club in her poor village.

    There Chandro tried a pistol for the first time and immediately attracted the attention of the coach, who encouraged her to shoot. She went on, practicing weekly and working on her hand-eye coordination by throwing rocks at bottles when she wasn’t shooting. She has gone on to win 25 national championships.

  • March 29, 2012

    How to Avert a Firearm Tragedy

    By David E. Petzal

    I am now in the thick of testing rifles for Best of the Best, and am sometimes accused of receiving specially selected and tuned rifles. Yes, and Ms. Elisha Cuthbert calls me up several times a week for dates. This morning, I took the very first shot from a medium-expensive MSR and after the gun went bang, it failed to extract the spent shell. The bolt slammed the next round in the magazine against the base of the stuck shell, neatly jamming the bolt, the magazine, and the live round. (This was, by the way, commercial ball ammo.)

    Working very carefully with a Leatherman tool, I was able to grab the live round and pull it back far enough to unjam the bolt and the magazine. It took about 10 minutes, and in my long but thin association with ARs, was the best stoppage I’ve ever had. The rifle will go back where it came from, accompanied by a blistering e-mail.

  • March 28, 2012

    Good Gun Gear: The Jones Pad Adjuster Great for a Variety of Shooters

    By Phil Bourjaily

    Now that I have (almost) enough guns for myself, my new excuse for hanging around the used gunrack is to pick up guns for the kids in our high school trap club to shoot. An increasing number come from non-shooting families so I’ve grabbed three older 870s and an 1100 for kids in the last couple years. “It’s for the children,” I tell myself.

    Since factory stocks don’t fit everybody, adjustable butt pads like the well-known Jones Pad Adjuster shown here on a Bill Davis synthetic stock, make it possible to suit a variety of shooters. That’s become especially clear to me this year when we have boys and girls ranging in height from not much over 5’ to 6’ 7” in our club.

  • March 27, 2012

    Are Some Cartridges More Accurate Than Others?

    By David E. Petzal

    My answer is a definite “Almost certainly no.” Back in the last century a gun writer named Bob Wallack (who was also an accomplished gunsmith), grew tired of listening to claims that the .30/30, and the lever-action rifles that were chambered for it, could never shoot accurately no matter what, Wallack took a Marlin 336, installed a match-grade bull barrel (minus the fore-end), chambered it for .30/30, loaded some rounds with match-grade bullets, and proceeded to fire groups that would have done a .308 tactical rifle proud.

    Whether a cartridge is accurate or not depends on how much attention the manufacturer pays to it. Last December, I shot a .264 Winchester Magnum that turned in atrocious groups. I don’t believe it was the rifle. The ammo was from a major manufacturer, but the cases looked like they had been punched from chewed bubble gum. This is because the .264 is a small seller, and the forming dies the company used are probably 50 years old, and they’re not about to invest in making new ones.

  • March 26, 2012

    Gun Rack Survey: Do Semiautos Rule?

    By Phil Bourjaily

    This time every year I get to participate in Aiming for a Cure, a local celebrity preserve hunt/sporting clays shoot that benefits our hospital’s pediatric oncology patients. It’s a great event for a very good cause. I look forward to it every March.

    I took a survey of the gun rack at the lodge where we all milled around before hunting or shooting clays. Semiautomatics far outnumbered O/Us and Benellis were the most numerous brand by far. This was mostly a hunting--as opposed to target shooting--crowd, but I was still struck by the number of Benellis, every one of which had a synthetic stock. In my group there were two O/Us and four Benellis: two SBEs, an M1 and a Vinci. Maybe Benellis are only popular in eastern Iowa, but I suspect it’s the case all over.

    Among the other semiautos, there was such a scattering I’m not sure I could pick a runner up in popularity. There were a few Berettas, a Browning Maxus, an SX3 and a couple of 11-87s. One of the Berettas belonged to Haley Dunn, Iowa’s best international shooter. Having switched from international skeet to sporting clays and teaching, Haley, who shot skeet with a Beretta DT10 O/U, was shooting her new sporting gun, a Beretta A400.

  • March 23, 2012

    What Cheeses Me Off about TV Hunting Shows

    By David E. Petzal

    To be perfectly honest, just about everything cheeses me off these days, so why should television hunting shows be different? Also, I’ve seen very few of them; the ones I do watch are in lodges in places where I’m hunting, and everyone else is watching, and if I suggested PBS or the Oprah Network I would be gutted and hung out on the meat pole.

    First, they give the impression that all big game hunts take place in 45 minutes, and that they always end successfully. This, as all of you know, is a load, but there are apparently a lot of people who are just getting into the sport who buy into it. Or at least I’m so informed by outraged guides whose jobs are made all that much harder by “hunters” who can hardly wait to knock something down the first morning and get back to someplace that’s within cell range.

    Second is the sh**ty country music that is grafted onto these productions. What constitutes sh**ty country music? Anything that post-dates Faron Young and Marty Robbins or is sung by a young woman who is prettier than Ms. Elisha Cuthbert (seen here).

  • March 22, 2012

    Tuff Writer Contest Winner Announced

    By Dave Maccar

    You guys really got creative for this one. And there was so much animosity toward the idea of a tactical pen, I was a little taken aback.
     
    The Chuck Norris ideas were amusing, as usual. Buckhunter’s “Set the pen in front of a TV and see if it can survive 1 hour of 'The Bachelor'" got me going.
     
    This one from Big Country was a contender: “You could always put it in a gun case and put it on a plane. If it makes it to point B in writing condition yer good.” but was just a little too realistic.
     
    There were plenty of ideas on how to definitely destroy the thing, like Randy Wagner’s “Put it on a track of a D-9 and leave it there for a year,” but remember, this was subject to my sense of humor.
     
    Nixstyx definitely took enough shots at this one that something had to hit paper. This had me rolling: “Give the pen to Chad Love and watch as he slams it repeatedly to the ground while shouting that a pen cannot be tactical.” and “One man one pen. I hope it’s stronger than the jar.” but it was this one that won Nixstyx his Tuff Writer:
     

  • March 22, 2012

    A Call for Shotgun Questions

    By Phil Bourjaily

    Season III of “The Gun Nuts” is in production. As you can see from the video, on one episode our intrepid traveling host/reporter Eddie Nickens goes deep inside the Remington factory to learn its innermost secrets.  Can Eddie hit the 200 yard target without glancing a few shots off the tunnel walls? Tune in to find out. It is going to be a fun season.

    We will be introducing some new segments and bringing back some favorites, including reader questions. Once again I need you to send me your shotgun questions.  

  • March 21, 2012

    Retirement Age: The Progress of Modern Optics

    By David E. Petzal

    At any given time I’m likely to be shooting loaner rifles, and so I keep eight or so scopes on hand to mount on these guns. Some of the scopes have been around for 15 years or more, and I keep using them because they work. The other day, however, I was shooting with one that had been around a long time, and on the other rifle I was using I had a brand-new Meopta MeoStar. When I switched from the rifle with the Meopta to the one with the old scope it was as though I had suddenly developed glaucoma. Everything went dim and muddy. 

    Often, when this happens, it’s because the lenses have acquired a coating of what looks like dried oxtail soup, topped by a layer of dust. You clean them off and they’re fine. But the lenses on this old scope were clean. What was at work? New scopes are so much better than those from only a decade ago that they make them look...disadvantaged. Optical progress, which used to proceed at a measured and stately course, now moves at the same breakneck speed as everything else.

  • March 20, 2012

    The Elegant Firearms of Tiffany & Co.

    By Phil Bourjaily

    When I visited Smith & Wesson a couple of years ago, I saw the in-house museum on my tour. Among the guns on display was a beautifully decorated revolver with an elaborate art nouveau-style silver grip, the result of a collaboration between S&W and jeweler Tiffany & Co. — it was made for the 1893 Columbian exhibition in Chicago. This revolver and others like it marked a departure for S&W, which usually used its own in-house engravers.

    As an exhibit at the Nevada Museum of Art in Reno, Nev. that runs through May 20 demonstrates, Tiffany has a long history of decorating firearms and edged weapons. According to the museum’s press release, Tiffany’s production of fine guns and swords began in the 1850s and peaked during the Civil War, then underwent a revival between 1982 and 2001. 
 

Page 1 of 3123next ›last »