The title of this post is a little misleading. While in theory these little guys are in a bucket, what you're actually seeing here is 20,000 freshly hatched cut bow trout (a hybrid between a cutthroat and a rainbow) in what's called an egg jar.
Here's another sweet little bug from our friends at flyrecipes.com. It's called the Banksia Bug (formerly known as the Patchouli Pupa) and was created by my friend and warm water fly fishing guru Jay Zimmerman.
"I began tying this fly to imitate the masses of free-living caddis larva in all my home waters here in Colorado and elsewhere in trout streams all over the West.
Despite what it says on its Flyrecipes.com page, I'm pretty sure that this week's Tie Talk bug, The Dirty Rat, is not by Jackie Treehorn. Don't get me wrong, I love the character reference to one of my favorite movies of all time, as well the pattern itself. It IS damn dirty…
The key to landing fish quickly is knowing how to get their heads above the water's surface. Fish have all the leverage when they're fighting nose-down. You have all the leverage when their noses point up, and you can usually skate a fish right into the net, or land it by hand. The key to making this all happen quickly, which is of mutual benefit for the fish and the angler, is knowing how to "lift" fish.
It's often tricky, especially with large fish. Go ahead and try to pick a 10-pound dumbbell off the floor with a fly rod, fly line and 12-pound test leader. It's almost impossible if you hold the grip normally, gently lift the rod, and expect the flexed graphite tip of the rod to make it happen. When lifting heavy fish, you want to focus the stress into the line itself (trust me, 12-pound Maxima is harder to break than you think) and the butt section of the fly rod. To get that done, you want to grip slightly higher on the cork, bring the reel seat flush against your forearm, and then lift with your arm and shoulder, not just your wrist. This dramatically reinforces the leverage you have on the fish.
A number of months ago Hal Herring reported on the "Toxic Petroleum Sludge" that was infiltrating the waters of our beloved carp fishery here on the South Platte River in Denver. Local angler and fly fisherman Trevor Taner was fishing for carp in the river on November 27 when he noticed, "weird milky chocolaty sludge", and after fishing for a while noticed his "fly and fingers smelled like gasoline". He also mentioned that he could "see micro-currents and upwells in the water column that you usually can't see."
After talking to Tanner he told me that he spent a very long time trying to figure out who to call about the situation. After multiple phone calls to friends and anglers he finally reached what he thought were the proper authorities. This unfortunately took many hours and didn't really provide the response he had hoped for. They basically told him he was crazy and there wasn't a spill.
John Merwin's blog post the other day referenced a book by Pat Dorsey (Tying and Fishing Tailwater Flies). So I thought I'd follow up with an "On The Spot" interview I did with Pat at the recent International Sportsmen's Expo in Denver.
Pat and I are old friends. In fact, back when we were in our early thirties, I was co-authoring a book on fishing guides, and Pat was one of our first "volunteer" subjects. He showed me Cheesman Canyon, the Williams Fork, and Dream Stream section of the South Platte in South Park. And he did it for gas money, despite the fact that we didn't have a publisher committed or anything (it was an excuse to go fishing). The book turned out to be Castwork, which boosted my outdoor writing career. It's out of print now, but you can read excepts at MidCurrent.
Last fall I had the pleasure of following the entire length of the Rio Grande River, from headwaters in Colorado to the terminus in Texas at the Gulf of Mexico; fishing, rowing, and following two guys on motorcycles the entire way. I was on a Field & Stream assignment with Digital Director, Nate Mathews, and his father, Bruce Matthews, who is the executive director for the North Country Trail. I was following in the chase vehicle with my camera equipment, boats, fishing and camping gear.
The story was published in this month's (February 2012) issue of the magazine. In the mag there were 25 images published. I took over 8,000 images over two weeks. I thought heck--let's show em some more… Here's the second half of the trip. The first batch of outtakes can be found here.
Last fall I had the pleasure of following the entire length of the Rio Grande River, from headwaters in Colorado to the terminus in Texas at the Gulf of Mexico; fishing, rowing, and following two guys on motorcycles the entire way. I was on a Field & Stream assignment with Digital Director, Nate Mathews, and his father, Bruce Matthews, who is the executive director for the North Country Trail. I was following in the chase vehicle with my camera equipment, boats, fishing and camping gear.
After careful thought, I have decided to award the prize (The Little Red Book of Fly Fishing) to Kyle Deneen.
He wrote: My cat Schizmak, (I just wanted to put his name in there because its cool) is a long haired Russian Blue, when the winters are around I take his under coat and use it for some of the best dubbing I have ever used. A cats undercoat will make the best "hairs ear nymph" but I guess we should now call it the "cat hairs nymph." Also my buddies and I from Fat Guy Fly Fishing found out that my back hair makes great dubbing after my wife shaves my back.
I've always said that the best aspects of fly fishing are the 360-degree views around you and the people you share them with, rather than the fish themselves. I certainly respect and admire a strong focus on the mission at hand. But in my book, if you aren't looking around, you're not really getting the most of your fishing.
As such, I've been taking a lot of photographs (Romano is coaching me) in recent years. Curiously, most of my favorite fishing images don't have any fish in them at all. I call them non-fish fishing photos. Clouds that look like iron and light hitting the canyon wall just so--those things.